Paisajes multisensoriales de Cristina Palmese
«Multi-sensorial landscapes”
In a culture that has submitted to the power of images, we hardly pay attention to the perceptual complexity of our bodies.
Due to our submission to the power of images in daily life, our perceptions have been reduced to a point in which we only appreciate a small slice of the world around us. Because of this, we ignore the fact that in any given moment, we have been manipulated to believe and act as though there is a certain, singular way to be happy and fulfilled.
Urbanism and architecture are both disciplines devoted to placemaking and have been born out of two remarkable characteristics of western culture:
1) the value of objective knowledge
2) the prevalence of sight upon the other senses.
Although the concept of architectural space has evolved, opening up to new categories (transparent space, rhizomatic space, flowing space, phenomenological space, cyberspace…), it’s necessary to re-think the relationship between the body and the environment, starting from the rediscovery and amplification of our own sensorial potentials.
We aim to stress the importance of gaining access to understanding ourselves and the world around us through our senses. We seek to perceive our bodies not as something concretely defined, but rather as a flow of relations with the environment.
From this perspective we want to overcome divisions and conceptual schemes that do not correspond to our contemporary condition, using artistic and scientific tools
to leave behind any duality and to explore their open, broad complexity. There is a common consensus about the need for an interdisciplinary or rather, transdisciplinary approach to research but often this agreement does not correspond to a real application of this concept. The criticism of the Western paradigm, a quantitative and reductionist tradition, is maintained within the criteria of tradition itself. It is typically limited to a mere disciplinary and methodological juxtaposition that fails to both address the complexity and facilitates the construction of a common language or the achievement of common objectives.
Traditional methods to analyze the complexity of landscape are not global or plural but resort to sectorial methods that carry out analysis meaning by meaning, discipline by discipline.
This point of view is not capable of finding real life in a place. The relationship between users and space is unique and plural and requires a knowledge of the environment in terms of both sensory interactions, the experience of sound, light, smell, touch… as well as the spatial, cultural, and social experience.
Our work promotes the collaboration between experts, artists, and citizens, building a framework of interactive, flexible, and participative landscapes. Through collaborative “in situ” actions, we experiment with new emergent and indeterminate spaces, creating new participatory, dynamic, and performative environments.
The direct experimentation of space helps us understand it, as well as «to perform” it. This helps us understand the aesthetic and emotional relationships we have with space.
An interesting field of knowledge traditionally not taken into account in the urban study is the research on soundscape and sound cultures that, nowadays, face new challenges with the collaboration of advanced groups in the field of sound space research, artistic creation, and participatory urbanism. Sound is not just another sensorial channel, since its interaction with the visual dimension generates an undetachable association of space and time, a specific sound for every moment and place. Sound informs us of the sensorial quality of the space, its texture, and materials, but it’s also related to social-cultural aspects and memory. The sound experience is immersive and linked either too abstract and rational aspects but also to affective and emotional ones.
The soundscape study constitutes a complex approach to the urban space by deeply studying our daily experiences in a multidisciplinary way. I invite you to contemplate the way you think of the city, paving the way for new complex variables by disrupting the boundaries between disciplines.